Audiences have proven their appetite for real crime sagas. Narcos. El Chapo. Tiger King. Making a Murderer. The market for documented, verifiable true stories is deeper than ever — and this one is extraordinary. The subject wrote a best-selling memoir. He is alive. He is talking.
54 countries. Three decades. Latin America, Europe, the Caribbean, the American heartland. Multiple languages. A story that plays everywhere it was filmed — and everywhere it will air. This is a globally exportable series built from real geography. Every streamer's dream.
Not a simple hero. Not a simple villain. Tito defies categorization — brilliant, self-destructive, charismatic, dangerous — in ways that are endlessly compelling on screen. The streaming era has proven definitively: audiences want antiheroes who can't be reduced to a single quality. Tito is that character.
A South Dakota farm boy. A jockey. A wrestler. A straight-A student. A man who saw, in the pharmaceutical gray markets of the 1970s, not a criminal enterprise but an economy — and built it with the precision and ambition of a legitimate CEO.
At his peak, Dan "Tito" Davis was generating $10 million a week through an operation of genuine ingenuity: pharmaceutical-grade product, corporate cover stories, national aviation distribution, a pilot's license, and a pet supplement company hiding millions of pills in plain sight.
Then the walls closed in. Federal prison. The death of his infant son. The collapse of his marriage. And when an old friend became an FBI informant, Tito did the one thing no one expected: he vanished.
For 13 years and across 54 countries, he was a ghost — studying at Latin American universities, aligning with cartel figures, building a resort in Venezuela, winning a national kite-surfing championship, being kidnapped by paramilitaries, and escaping. Twice. The FBI, CIA, DEA, US Marshals, Homeland Security, Interpol — none of them could hold him. Until, finally, they did.
He is not a caricature. He is not a cautionary tale. He is one of the most extraordinary human beings in recent American criminal history — and he wrote a best-selling memoir about all of it.
Smart. Charismatic. Morally complex. Not a romanticized Tony Montana — something far more unsettling: a genuinely brilliant, genuinely self-destructive man with an instinct for business that borders on genius and an addiction to risk that borders on compulsion. He is not the villain of this story. He is also not the hero. GRINGO refuses to resolve that ambiguity — and that's what makes it unforgettable.
To Tito, she is the villain. To the system, she is everything the institution claims to value — principled, methodical, incorruptible. But 13 years of chasing a ghost across 54 countries warps even the most righteous investigator in quieter, subtler ways. Gabriela's question isn't whether she'll catch him. It's who she'll be when she does. The answer costs her everything she thought she understood about justice.
The 1970s and 80s. South Dakota to Las Vegas to national domination. A brilliant, restless young man builds a pharmaceutical empire from scratch — pet supplement cover stories, Eli Lilly manufacturing contracts, national aviation distribution, $10M per week. Then the infrastructure collapses. Federal prison. Personal devastation. Betrayal. And finally, vanishing. The season ends with Tito disappearing into the world — and Gabriela Velasquez beginning her hunt.
The 1990s. Tito in exile — new identities, new continents, new languages. He studies at Latin American universities. He aligns with cartel figures in post-Escobar Medellín. He builds a luxury resort in Venezuela under dangerous protection. He is arrested in Caracas and escapes. He is kidnapped by paramilitary forces and escapes again. All the while, Gabriela chases shadows across borders. A globe-spanning survival story and a meditation on who you become when you've been running long enough.
The 2000s. Tito in Cuba under deep cover. A facelift in Mexico. A desperate attempt to win back Mary Luz — the love of his life — in Germany. Then a violent kidnapping by paramilitary forces in Caracas brings the run to its brutal conclusion. He returns to US custody. Gabriela gets her man — but the victory is bittersweet, complicated, haunted. An unflinching examination of justice, redemption, and what the hunt costs everyone.
Pierre, South Dakota. Young Tito discovers amphetamines at Black Hills State College and recognizes not a drug, but an economy. The first transaction. The beginning of everything.
UNLV, Las Vegas. Bikers, campus networks, a man named Babe. Tito builds his first real distribution infrastructure and earns a credit line that changes everything.
Pucci Pet Products. "Super Dog" multivitamins. Pharmaceutical manufacturing via Eli Lilly. The most creatively disguised drug operation in American history goes fully operational.
Tito gets his pilot's license and takes distribution national. $10 million a week at peak. And for the first time — Agent Velasquez begins to circle.
Tito falls for Lisa Lien. Explores cocaine — decides it's too violent, too dangerous. Then comes the arrest. Tax evasion. The empire's first fatal crack.
Federal prison. Boron, then Geiger. An infant son dies. A marriage collapses. The criminal underworld becomes an education. Tito emerges harder, smarter, darker.
Released. Tries to go straight. Fails. Marijuana smuggling in Nogales — cartel connections, old instincts, the impossibility of doing anything small.
Old friend Marvin becomes an FBI informant. The trap closes fast and final. In the last moments of the season — Tito vanishes. The greatest manhunt in DEA history begins.
"GRINGO fits the lineage of the greatest crime dramas in streaming history."
True-story foundation. International scope. Bilingual authenticity. Dual perspectives across the Americas. GRINGO shares Narcos' DNA and exceeds its geographic range.
A brilliant, relatable man who makes devastating choices. Dark humor beneath the dread. Moral ambiguity as a feature, not a complication. The refusal to offer easy answers.
In too deep. Improvisation under extreme duress. The domestic and personal toll of a criminal life. Ozark's sustained tension at continental scale — and three full seasons.
A true-crime Latin American saga built on documented reality. International locations. The paradox of an extraordinary criminal life lived at the intersection of genius and destruction.
The charismatic fugitive. The relentless investigator. The near-affectionate chess match across borders and years. GRINGO's closest spiritual cousin — at television scope.
GRINGO is designed for the global streaming premium drama market. Three complete seasons of content, fully mapped. Authentic international locations across Latin America, Europe, and the US. Bilingual storytelling. Dual-protagonist structure optimized for binge-worthy serialization. WGA registered. Pilot script complete. Series bible complete. The subject is alive and available for consultation.
The book exists. A best-selling memoir by the subject himself. The story is documented, verified, and already adapted for a mainstream audience.
The WGA registration exists. Registration #2296994. This is a protected, serious creative work — not a pitch on a napkin.
The pilot script is complete. Ready to read. Ready to produce. Not in development — done.
The series bible is complete. Three full seasons mapped, episode by episode. Creative certainty before a single greenlight meeting.
The subject is alive and available. Dan "Tito" Davis is available for consultation. The kind of access that turns a good show into a historically authentic one.
The audience already exists. Best-selling book. True crime audience. Global drama market. The built-in marketing writes itself.
THIS STORY NEEDS ONE THING: A PARTNER WITH VISION.
Everything else is ready. The pilot script. The series bible. The source material. The WGA registration. The subject. Three seasons of extraordinary content already structured and mapped. The only question is who will have the vision to bring it to a global audience — and the clarity to know that this is the kind of story that gets made once, gets made right, and lasts forever.COMPARABLE AUDIENCE REACH
Narcos: Season 1 was Netflix's most-watched original at launch. Breaking Bad's final season drew 10.3M live viewers — its highest ever. Ozark ran 4 seasons. The true-crime premium drama market is proven, durable, and global. GRINGO is a generational entry into that lineage.
To request the full pilot script and series bible, contact:
Dan "Tito" Davis
Author · Producer · Subject
Based on the best-selling memoir "Gringo"